Le Chant des Amazones.

Paris: [Aulard and Dorfinant for] Govone,1931. ​Small folio (290 × 220 mm), pp. 95, [5], plus 8 lithographed plates by Lydis, the first partially hand–coloured and signed in pencil. Some spotting, mainly marginal, though slightly heavier on prelims. Uncut in original green and silver wrappers, slightly rubbed, but preserved in early half morocco. Author’s inscription to half-title. First edition with the Lydis illustrations. Number 85 of 165 copies, with the artist’s inscription: ‘A Ida, avec toute mon amitié — en souvenir d’une semaine heureuse passée auprès d’elle. Mariette Lydis Paris 1934’, likely to have been addressed to the Russian-born dancer Ida Rubinstein. This celebration of female athleticism in verse, prose and image and is dedicated to ‘une jeune fille victorieuse dans la course des 1,000 mètres’. The texts are drawn from Montherlant’s Les Onze devant la porte dorée(1924) which he had written during preparations for the 1924 Paris Olympics. Women’s participation in Olympic athletics was still extremely limited, but the decade after 1924 witnessed its rapid expansion and a general enthusiasm for women’s sport, reflected in this book. Montherlant was an important contact for Lydis throughout her career though his posthumous reputation has revealed him as a serial pederast and dabbler in right-wing politics. His later works were marked by distinct anti-feminism and misogyny. Lydis’s illustrations are fresh and well-meaning, though her evident sexualisation of pubescent girls may be troubling to the modern eye. The book was issued in handsome silver, green and turquoise lithographed wrappers and was enthusiastically reviewed in Arts et Métiers graphiques Paris 23 (15 May, 1931).